- #Tv tropes the italian man who went to malta skin
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And it also happens in Slayers: Great, where the father and son of a famous golem-making family, Galia and Huey, are fighting a personal battle that they eventually try to settle by building giant golems and having them fight each other. Even Lina and Naga think her father is justified in being annoyed when they find out she wants quadruple her monthly allowance. And she already gets a pretty large one (which she is using to bankroll her rebellion - why her father is still paying her allowance while she's rebelling is never brought up), which is why her father is so worked up about her demands - a raise from from 50 gold a month to 200 gold a month is not chicken feed. Her reason for rebellion? She wants a bigger allowance. er, protagonists Lina Inverse and Naga the Serpent find themselves caught in a civil war between a local lord and his daughter, who's raised an army and marched on the palace. The original dispute? Who caught the bigger fish? This is related to Serious Business and, again, the Proud Warrior Race trope, so their pride is respected in-universe even as the audience is expected to laugh at the cause for a decades-long bout between comrades. Dorry and Broggy have been fighting (as in, straight-up brawling) each other for decades on end, such that they don't even remember what they were fighting for. Played with among the Proud Warrior Race guy Giants in the Little Garden Arc of One Piece. Sometimes the real reason is the pride of the rival parties. See also Blue-and-Orange Morality, which can potentially justify this trope. When it's a mere domestic squabble, it might be a Toilet Seat Divorce. Compare Pretext for War, where two sides seize upon any reason they can to go to war, without actually caring about the reason itself. See Felony Misdemeanor for when it's humans acting like this, and it doesn't (usually) end in war. Related to Humans Kill Wantonly and Fantastic Racism. Most early instances of Fantastic Racism were based on groups at odds over superficial matters but if the groups have real and important differences, it can fall into a Fantastic Aesop that trivializes their conflict just because it's analogous to some real-world group of humans that are at odds for some mundane reason. However, if it's going for the Downer Ending, then expect the hero's efforts to be for naught as the conflict escalates and they wipe each other out. The fact that they're comparing what select groups of humans do (or did waaay back in human history) to their entire species being willing to kill each other over this stuff won't really be addressed.ĭepending on how idealistic the story is, the protagonists may persuade the aliens/elves/mutants/pastry chefs to reconcile their differences or accept their differences and finally give living peacefully a shot. And the aliens killing each other over what color hat they wear are far above that kind of petty bickering. #Tv tropes the italian man who went to malta skin
Like what pigment their skin has, whose parents they were born from, which phrases they pray with, what political party they support, and what gender they were born with. If the writer wants to be extra Anvilicious about the message, expect the alien group to counter any perplexed queries about why they're willing to segregate, oppress, ostracise, or even kill each other over something so asinine with a retort like "humans kill each other over less". This trope is often paired with An Aesop about how what we consider life-and-death, irreconcilable differences may be based on cultural norms and would seem just as petty from an outsider's perspective, and maybe we should reconsider our intolerance. Or it can involve a situation that doesn't actually exist, such as one side believing that the other side plans to sap and impurify their precious bodily fluids.
#Tv tropes the italian man who went to malta crack
Like which end of the egg to crack first, or whether toast should be eaten butter side up or down, or even body features such as which half of their face is black and which is white. The protagonists encounter two (or more) groups who are in a deadly serious conflict over what the protagonists (and likely the audience) perceive to be a trivial and petty difference or issue.
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